Raag Shudh Basant: Difference between revisions

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* [http://www.gurmatsangeetdarbar.com/ Gurmat Sangeet Darbar]
* [http://www.gurmatsangeetdarbar.com/ Gurmat Sangeet Darbar]
* [http://www.rajacademy.com/  Raj Academy of Asian Music]
* [http://www.rajacademy.com/  Raj Academy of Asian Music]
* [http://www.sikhnet.com/GurbaniKirtan/ Sikhnet: Shabad for Printing]<br>
* [http://www.sikhnet.com/GurbaniKirtan/ Sikhnet: Shabad for Printing]<br><br>


{{Kirtan}}
{{Kirtan}}
[[Category:Raga]]
[[Category:Raga]]
[[Category:Kirtan]]
[[Category:Kirtan]]

Revision as of 05:05, 10 August 2013

There are many forms of Raag Basant. In Indian Classical music Raag Shudh Basant is of Poorvi thaat. Many exponents of Gurbani Sangeet give more importance to Bilawal form of Basant.

Raag Shudh Basant

Swars used in this raag are: Rishab komal, Dhaivat komal, Madhayam teevra. All other swars are Shudh. In Aroh Rishab and Pancham are not used. Shudh Madhayam is occasionally used to create beauty in singing.

Jatti: Aurav Sampooran; Thaat: Poorvi; Singing time: Any time in Basant season.

Aroh: ਸ਼ ਗ ਮਂ ਧੁ ਨ ਸਂ ਰੁਂ ਸਂ

Sa Ga Ma(t) Dha(k) Ni Sa Re(k)(t) Sa.


Avroh: ਰੁਂ ਨ ਧੁ ਪ, ਮਂ ਗ, ਮਂ ਧੁ ਮਂ ਗ ਰੁ ਸ਼

Re(k)(t) Ni Dh(k) Pa, Ma(t) Ga, Ma(t) Dh(k) Ma(t) Ga Re(k) Sa

External links