Gurmat Gian Group: Difference between revisions
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==the Interview== | ==the Interview== | ||
*This is a brief interview with one of its members of the group, Keerat Kaur. | |||
The Gurmat Gian Group was formed by my mother Gurpreet Kaur. My mother Gurpreet Kaur and myself used to do kirtan in the weekend gatherings of Gurmat Gian Missionary Trust. These programmes are held every Saturday and Sunday. Impressed with our singing, we were asked by the organizers and especially by Rana Inderjit Singh to train young boys and girls to do kirtan. Now Gurpreet Kaur takes regular classes at the Gurmat Gian Missionary College where many girls and boys of different age groups are learning kirtan. | |||
Encouraged to go in to recording | '''Q1. How did you come to join the Gurmat Gian Group? How long have you been with the group? How often does the group meet?''' | ||
'''A.''' The Gurmat Gian Group was formed by my mother Gurpreet Kaur. My mother Gurpreet Kaur and myself used to do [[kirtan]] in the weekend gatherings of Gurmat Gian Missionary Trust. These programmes are held every Saturday and Sunday. Impressed with our singing, we were asked by the organizers and especially by Rana Inderjit Singh to train young boys and girls to do kirtan. Now Gurpreet Kaur takes regular classes at the Gurmat Gian Missionary College where many girls and boys of different age groups are learning kirtan. | |||
Encouraged to go in to recording [[Gurbani]] [[Kirtan]] lead to the formation of Gurmat Gian Group which now has 5 CDs to its credit. | |||
There are 5 Cds recorded till now. | There are 5 Cds recorded till now. | ||
1. Saajanara Mera Saajanara | *1. Saajanara Mera Saajanara | ||
2. Mera Baid Guru Govinda | *2. Mera Baid Guru Govinda | ||
3. Tere Kavan Kavan Gun Keh Keh Gava | *3. Tere Kavan Kavan Gun Keh Keh Gava | ||
4. Mo Kao Taar Le Raama Taar Le | *4. Mo Kao Taar Le Raama Taar Le | ||
5. Mohan Ghar Aavoh Karo Jodariya | *5. Mohan Ghar Aavoh Karo Jodariya | ||
And 4 more already recorded to be released in due course. | And 4 more already recorded to be released in due course. | ||
These are all Audio Cds. Mera Baid and Tere Kavan Kavan are also available as VCDs. | These are all Audio Cds. Mera Baid and Tere Kavan Kavan are also available as VCDs. | ||
Our group has also sung | Our group has also sung [[shabad]]s for the recently released animation movie “[[Sundri]]”. | ||
'''Q 2. Is there any purpose behind the group being only women? Was it intended to be a women’s only group or it just happened?''' | |||
'''A.''' When the group started, there was no specific aim to form an all women’s group. This just happened and we plan to keep it this way now. | |||
'''Q 3. Does a woman play the tabla?''' | |||
3. | '''A. '''There is no woman [[tabla]] player. Right now, there are 3 members of this group, Gurpreet Kaur, Japjit Kaur and myself. There are no other members of the group as yet and we select the instrument players including the tabla players according to the requirements of the compositions. | ||
'''Q 4. How has being in this group added to your spiritual development at a Sikh?''' | |||
'''A.''' We started as a group, with an aim to record and spread gurbani kirtan beyond our small weekend gathering of families. A typical recording preparation takes at least 2 months of 6-8 practice hours a day. We feel lucky to be able to spend this time singing Guru’s bani. Every shabad is practised 60-80 times before it is recorded. Every time we sing a shabad, we feel that we learn something new which we did not understand in the previous practise. This definitely has helped in our spiritual development. | |||
We started as a group, with an aim to record and spread gurbani kirtan beyond our small weekend gathering of families. A typical recording preparation takes at least 2 months of 6-8 practice hours a day. We feel lucky to be able to spend this time singing Guru’s bani. Every shabad is practised 60-80 times before it is recorded. Every time we sing a shabad, we feel that we learn something new which we did not understand in the previous practise. This definitely has helped in our spiritual development. | |||
Revision as of 19:18, 2 April 2009
Gurmat Gian Group consists of several young Sikh women musicians singing Gurbani. Its conducted by Gurpreet Kaur. Other members beside Gurpreet Kaur are Keerat Kaur (now in Atlanta USA), Japjit Kaur and Jasleen Kaur. They can be contacted via c/o Gurmat Gian Missionary College, Ludhiana.
- for further details contact Bhai Rana Inderjit Singh (Chairman) +91 9814635655
- blog: http://gurmatgiangroup.blogspot.com/
- youtube - manbironline: http://uk.youtube.com/user/manbironline
- metacafe - singhmanbir's channel: http://www.metacafe.com/channels/singhmanbir/
the Interview
- This is a brief interview with one of its members of the group, Keerat Kaur.
Q1. How did you come to join the Gurmat Gian Group? How long have you been with the group? How often does the group meet?
A. The Gurmat Gian Group was formed by my mother Gurpreet Kaur. My mother Gurpreet Kaur and myself used to do kirtan in the weekend gatherings of Gurmat Gian Missionary Trust. These programmes are held every Saturday and Sunday. Impressed with our singing, we were asked by the organizers and especially by Rana Inderjit Singh to train young boys and girls to do kirtan. Now Gurpreet Kaur takes regular classes at the Gurmat Gian Missionary College where many girls and boys of different age groups are learning kirtan. Encouraged to go in to recording Gurbani Kirtan lead to the formation of Gurmat Gian Group which now has 5 CDs to its credit.
There are 5 Cds recorded till now.
- 1. Saajanara Mera Saajanara
- 2. Mera Baid Guru Govinda
- 3. Tere Kavan Kavan Gun Keh Keh Gava
- 4. Mo Kao Taar Le Raama Taar Le
- 5. Mohan Ghar Aavoh Karo Jodariya
And 4 more already recorded to be released in due course. These are all Audio Cds. Mera Baid and Tere Kavan Kavan are also available as VCDs.
Our group has also sung shabads for the recently released animation movie “Sundri”.
Q 2. Is there any purpose behind the group being only women? Was it intended to be a women’s only group or it just happened?
A. When the group started, there was no specific aim to form an all women’s group. This just happened and we plan to keep it this way now.
Q 3. Does a woman play the tabla?
A. There is no woman tabla player. Right now, there are 3 members of this group, Gurpreet Kaur, Japjit Kaur and myself. There are no other members of the group as yet and we select the instrument players including the tabla players according to the requirements of the compositions.
Q 4. How has being in this group added to your spiritual development at a Sikh?
A. We started as a group, with an aim to record and spread gurbani kirtan beyond our small weekend gathering of families. A typical recording preparation takes at least 2 months of 6-8 practice hours a day. We feel lucky to be able to spend this time singing Guru’s bani. Every shabad is practised 60-80 times before it is recorded. Every time we sing a shabad, we feel that we learn something new which we did not understand in the previous practise. This definitely has helped in our spiritual development.
External Links
- thelangarhall.com/ 'The Interview' section of this article with courtesy of this site
| Kirtan: | Raga · Taal · Ragmala · Classical Music · Sangeet · Dhuni · Divan · Asa di Var · Jatha · Simran · Shabad · Tuk · Rababi · Dhadhi |
| Ragas: | Asa · Bairari · Basant · Bhairon · Bihagara · Bilaval · Devagandhari · Dhanasari · Gauri · Gond · Gujari · Jaijavanti · Jaitsri · Kalian · Kanara · Kedara · Maajh · Malaar · Mali Gaura · Maru · Nat Narain · Prabhati · Ramkali · Sarang · Sri · Sorath · Suhi · Tilang · Todi · Tukhari · Vadahans |
| Ragis: | Harjinder Singh · Maninder Singh · Amolak Singh · Darshan Singh · Balwinder Singh · Harbans Singh · Anoop Singh · Niranjan Singh · Amrik Singh · Avtar Singh · Snatam Kaur ·Kamaljit Kaur · Dileep Kaur · Joginder Singh · SS Maskeen |
| Saaj: | Harmonium · Tabla · · Tanpura · Taus · Rabab · Sarangi · Dilruba · · Saranda · Sarode · Sitar · Santoor · Pakhawaj · Dhadh · Dholak · Dool |
