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This is an India musical [[raga]] (composition) that appears in the [[Sikh]] tradition from northern [[India]] and is part of the Sikh holy scripture called [[Sri Guru Granth Sahib]] or [[SGGS]] for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. | This is an India musical [[raga]] (composition) that appears in the [[Sikh]] tradition from northern [[India]] and is part of the Sikh holy scripture called [[Sri Guru Granth Sahib]] or [[SGGS]] for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. | ||
In the [[SGGS]], the Sikh holy Granth (book) there are a total of 31 raga compositions and this raga is the twenty-second raga to appear in the series. The composition in this raga | In the [[SGGS]], the Sikh holy Granth (book) there are a total of 31 raga/Chapters compositions and this raga is the twenty-second 22nd raga/Chapter to appear in the series. The composition in this raga appears on a total of 11 pages from page numbers 1107 to 1118. | ||
'''Major Compositions''' | '''Major Compositions''' |
Revision as of 13:47, 24 June 2016
This is an India musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib or SGGS for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune.
In the SGGS, the Sikh holy Granth (book) there are a total of 31 raga/Chapters compositions and this raga is the twenty-second 22nd raga/Chapter to appear in the series. The composition in this raga appears on a total of 11 pages from page numbers 1107 to 1118.
Major Compositions
- Bara Maha Composition from Guru Nanak Dev Jee is registered in this Chapter or Raaga Tukhari.
- Shabad on Ang 1117 Ghol Ghumaa-ee Laalna gur Man deena
Tukhari was probably based on a folk tune and was very likely developed by Guru Nanak into a raga for the singing of certain shabads. No raga of this name appears in the classifications of the period when shabads were being composed and the Holy Book compiled. A raga called Mukhari may be found in the classifications of Karnataka (South Indian) ragas during the period from the 15th to the l8th centuries. Tukhari was used by Guru Nanak, Guru Ram Das and Guru Arjan. It appears to be a raga for the morning hours to be sung in winter. Its name Tukhari is the popular form of tushar (Sanskrit for winter frost). No melodic material for the Tukhari is available but, for the sake of comparison, the scale of Mukhari is given:
Section | Punjabi | English |
Aroh: | ਨ ਸ ਗ ਮ’ ਪ ਨ ਸ | Ni Sa Ga Ma' Pa Ni Sa |
Avroh: | ਸ ਨ ਧ ਪ ਨ ਧ ਪ ਮ’ ਗ ਰ ਸ | Sa Ni Dha Pa Ni Dha Pa Ma' Ga Re Sa |
Pakar: | ਨ ਨ ਧ ਪ, ਮ ਪ, ਮ ਗ, ਰ ਸ | Ni Ni Dha Pa, Ma Pa, Ma Ga, Re Sa |
Vadi: | ਪ | Pa |
Samvadi: | ਸ | Sa |
Gurbani Keertan in Raag Tukhari
See also
External links
- Gurmat Gian Group
- Gurmat Sangeet Project
- Gurmat Sangeet
- Gurmat Sangeet Darbar
- Raj Academy of Asian Music
- Sikhnet: Shabad for Printing
Kirtan: | Raga · Taal · Ragmala · Classical Music · Sangeet · Dhuni · Divan · Asa di Var · Jatha · Simran · Shabad · Tuk · Rababi · Dhadhi |
Ragas: | Asa · Bairari · Basant · Bhairon · Bihagara · Bilaval · Devagandhari · Dhanasari · Gauri · Gond · Gujari · Jaijavanti · Jaitsri · Kalian · Kanara · Kedara · Maajh · Malaar · Mali Gaura · Maru · Nat Narain · Prabhati · Ramkali · Sarang · Sri · Sorath · Suhi · Tilang · Todi · Tukhari · Vadahans |
Ragis: | Harjinder Singh · Maninder Singh · Amolak Singh · Darshan Singh · Balwinder Singh · Harbans Singh · Anoop Singh · Niranjan Singh · Amrik Singh · Avtar Singh · Snatam Kaur ·Kamaljit Kaur · Dileep Kaur · Joginder Singh · SS Maskeen |
Saaj: | Harmonium · Tabla · · Tanpura · Taus · Rabab · Sarangi · Dilruba · · Saranda · Sarode · Sitar · Santoor · Pakhawaj · Dhadh · Dholak · Dool |