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This is an | This is an Indian musical [[raga]] (composition) that appears in the [[Sikh]] tradition from northern [[India]] and is part of the Sikh holy scripture called [[Sri Guru Granth Sahib]] Ji or [[SGGS]] for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. | ||
In the [[SGGS]], the Sikh holy Granth (book), there are a total of 60 raga compositions and this raga is the '''thirty sixth''' raga to appear in the series. The composition in this raga appears from page numbers ''' 859 to 874 '''. | |||
Raag Gond (ਗੋਂਡ) – Gond is an expression of triumph, however these feelings are balanced and in perspective ensuring that there is also an aspect of humility. Therefore, although there is a sense of knowing and understanding the achievement, there is not a feeling of becoming obsessed or getting lost in the achievement itself. | |||
Gond was used by [[Guru Ram Das]] Ji, [[Guru Arjan]] Dev Ji, Bhagat Kabir Ji, Bhagat Ravidaas Ji, and Bhagat Naamdev Ji. | |||
The following represents the order of notes that can be used on the ascending and descending phase of the composition and the primary and secondary notes: | The following represents the order of notes that can be used on the ascending and descending phase of the composition and the primary and secondary notes: | ||
{|style="width:70%; background:#f5f5f5; " border="1" cellpadding="7" cellspacing="0" | |||
|width=20%| '''Section''' | |||
|width=40%| '''Punjabi''' | |||
|width=40%| '''English''' | |||
|- | |||
| [[Aroh]]: || ਸ ਰ ਗ ਮ ਪ ਧ ਨ ਸ || Sa Re Ga Ma Pa Dha Ni Sa | |||
|- | |||
| [[Avroh]]: || ਸ ਨ ਧ ਨ ਪ ਮ ਗ ਰ ਸ || Sa Ni Dha Ni Pa Ma Ga Re Sa | |||
|- | |||
| [[Pakar]]: || ਰ ਗ ਮ, ਪ ਮ, ਮ ਪ ਨ ਧ ਨ ਧ ਨ ਸ, ਨ ਧ ਨ ਪ, ਧ ਮ || Re Ga Ma, Pa Ma, Ma Pa Ni Dha Ni Dha Ni Sa, Ni Dha Ni Pa, Dha Ma | |||
|- | |||
| [[Vadi]]: || ਸ || Sa | |||
|- | |||
| [[Samvadi]]: || ਮ || Ma | |||
|} | |||
[http://gurmatgiangroup.com/2011/11/28/maerai-man-prem-gaund/ '''Gurbani Keertan in Raag Gaund'''] | |||
==See also == | ==See also == | ||
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*[[Taal]] | *[[Taal]] | ||
==External | ==External links== | ||
* [http://gurmatgiangroup.com/ Gurmat Gian Group] | |||
* [http://www.gurmatsangeetproject.com/ Gurmat Sangeet Project] | * [http://www.gurmatsangeetproject.com/ Gurmat Sangeet Project] | ||
* [http://www.gurmatsangeet.org/ Gurmat Sangeet] | |||
* [http://www.gurmatsangeetdarbar.com/ Gurmat Sangeet Darbar] | |||
* [http://www.rajacademy.com/ Raj Academy of Asian Music] | * [http://www.rajacademy.com/ Raj Academy of Asian Music] | ||
* [http://www.sikhnet.com/GurbaniKirtan/ Sikhnet: Shabad for Printing] | * [http://www.sikhnet.com/GurbaniKirtan/ Sikhnet: Shabad for Printing]<br><br> | ||
{{Kirtan}} | {{Kirtan}} |
Latest revision as of 04:29, 5 October 2019
This is an Indian musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib Ji or SGGS for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune.
In the SGGS, the Sikh holy Granth (book), there are a total of 60 raga compositions and this raga is the thirty sixth raga to appear in the series. The composition in this raga appears from page numbers 859 to 874 .
Raag Gond (ਗੋਂਡ) – Gond is an expression of triumph, however these feelings are balanced and in perspective ensuring that there is also an aspect of humility. Therefore, although there is a sense of knowing and understanding the achievement, there is not a feeling of becoming obsessed or getting lost in the achievement itself.
Gond was used by Guru Ram Das Ji, Guru Arjan Dev Ji, Bhagat Kabir Ji, Bhagat Ravidaas Ji, and Bhagat Naamdev Ji.
The following represents the order of notes that can be used on the ascending and descending phase of the composition and the primary and secondary notes:
Section | Punjabi | English |
Aroh: | ਸ ਰ ਗ ਮ ਪ ਧ ਨ ਸ | Sa Re Ga Ma Pa Dha Ni Sa |
Avroh: | ਸ ਨ ਧ ਨ ਪ ਮ ਗ ਰ ਸ | Sa Ni Dha Ni Pa Ma Ga Re Sa |
Pakar: | ਰ ਗ ਮ, ਪ ਮ, ਮ ਪ ਨ ਧ ਨ ਧ ਨ ਸ, ਨ ਧ ਨ ਪ, ਧ ਮ | Re Ga Ma, Pa Ma, Ma Pa Ni Dha Ni Dha Ni Sa, Ni Dha Ni Pa, Dha Ma |
Vadi: | ਸ | Sa |
Samvadi: | ਮ | Ma |
See also
External links
- Gurmat Gian Group
- Gurmat Sangeet Project
- Gurmat Sangeet
- Gurmat Sangeet Darbar
- Raj Academy of Asian Music
- Sikhnet: Shabad for Printing
Kirtan: | Raga · Taal · Ragmala · Classical Music · Sangeet · Dhuni · Divan · Asa di Var · Jatha · Simran · Shabad · Tuk · Rababi · Dhadhi |
Ragas: | Asa · Bairari · Basant · Bhairon · Bihagara · Bilaval · Devagandhari · Dhanasari · Gauri · Gond · Gujari · Jaijavanti · Jaitsri · Kalian · Kanara · Kedara · Maajh · Malaar · Mali Gaura · Maru · Nat Narain · Prabhati · Ramkali · Sarang · Sri · Sorath · Suhi · Tilang · Todi · Tukhari · Vadahans |
Ragis: | Harjinder Singh · Maninder Singh · Amolak Singh · Darshan Singh · Balwinder Singh · Harbans Singh · Anoop Singh · Niranjan Singh · Amrik Singh · Avtar Singh · Snatam Kaur ·Kamaljit Kaur · Dileep Kaur · Joginder Singh · SS Maskeen |
Saaj: | Harmonium · Tabla · · Tanpura · Taus · Rabab · Sarangi · Dilruba · · Saranda · Sarode · Sitar · Santoor · Pakhawaj · Dhadh · Dholak · Dool |