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This is an | (Nat Naaraayan) This is an Indian musical [[raga]] (composition) that appears in the [[Sikh]] tradition from northern [[India]] and is part of the Sikh holy scripture called [[Sri Guru Granth Sahib]] Ji or [[SGGS]] for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. | ||
In the [[SGGS]], the Sikh holy Granth (book) there are a total of | In the [[SGGS]], the Sikh holy Granth (book), there are a total of 60 raga compositions and this raga is the fortieth (40th) raga to appear in the series. The composition in this raga appears on a total of 9 pages from page numbers 975 to 984. | ||
Raag Nat Narayan (ਨਟ ਨਾਰਾਇਨ) – Nat Narayan consists of feelings of hastiness and impatience, however simultaneously there is stability and control. Although there is control in the Raag, there is still the impression that it is unbalanced and prone to topple at any time. | |||
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Latest revision as of 16:41, 22 April 2019
(Nat Naaraayan) This is an Indian musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib Ji or SGGS for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune.
In the SGGS, the Sikh holy Granth (book), there are a total of 60 raga compositions and this raga is the fortieth (40th) raga to appear in the series. The composition in this raga appears on a total of 9 pages from page numbers 975 to 984.
Raag Nat Narayan (ਨਟ ਨਾਰਾਇਨ) – Nat Narayan consists of feelings of hastiness and impatience, however simultaneously there is stability and control. Although there is control in the Raag, there is still the impression that it is unbalanced and prone to topple at any time.
Section | Punjabi | English |
Aroh: | ਸ ਮ ਗ ਮ ਰ ਮ’ ਪ ਧ ਨ ਸ | Sa Ma Ga Ma Re Ma' Pa Dha Ni Sa |
Avroh: | ਸ ਧ ਪ ਮ’ ਧ ਪ ਗ ਮ ਸ | Sa Dha Pa Ma' Dha Pa Ga Ma Sa |
Vadi: | ਸ | Sa |
Samvadi: | ਰ | Re |
Gurbani Keertan in Raag Nat Narayan
See also
External links
- Gurmat Gian Group
- Gurmat Sangeet Project
- Gurmat Sangeet
- Gurmat Sangeet Darbar
- Raj Academy of Asian Music
- Sikhnet: Shabad for Printing
Kirtan: | Raga · Taal · Ragmala · Classical Music · Sangeet · Dhuni · Divan · Asa di Var · Jatha · Simran · Shabad · Tuk · Rababi · Dhadhi |
Ragas: | Asa · Bairari · Basant · Bhairon · Bihagara · Bilaval · Devagandhari · Dhanasari · Gauri · Gond · Gujari · Jaijavanti · Jaitsri · Kalian · Kanara · Kedara · Maajh · Malaar · Mali Gaura · Maru · Nat Narain · Prabhati · Ramkali · Sarang · Sri · Sorath · Suhi · Tilang · Todi · Tukhari · Vadahans |
Ragis: | Harjinder Singh · Maninder Singh · Amolak Singh · Darshan Singh · Balwinder Singh · Harbans Singh · Anoop Singh · Niranjan Singh · Amrik Singh · Avtar Singh · Snatam Kaur ·Kamaljit Kaur · Dileep Kaur · Joginder Singh · SS Maskeen |
Saaj: | Harmonium · Tabla · · Tanpura · Taus · Rabab · Sarangi · Dilruba · · Saranda · Sarode · Sitar · Santoor · Pakhawaj · Dhadh · Dholak · Dool |