Bhairon: Difference between revisions
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'''Bhairon''' is an | '''Bhairon''' is an Indian musical [[raga]] (composition) that appears in the [[Sikh]] tradition from northern [[India]] and is part of the Sikh holy scripture, the [[Sri Guru Granth Sahib]] Ji or [[SGGS]] for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. | ||
In the [[SGGS]], the Sikh holy Granth (book), there are a total of 60 raga compositions and this raga is the '''Forty-eighth''' raga to appear in the series. The composition in this raga appears on a total of '''43 pages''' from page numbers '''1125 to 1168'''. | |||
Performed before sunrise, this raga was used by [[Guru Nanak]], [[Guru Amar Das]], [[Guru Ram Das]], and [[Guru Arjan]] | Raag Bhairao (ਭੇਰੳ) – Bhairao embodies the soul’s faith and heartfelt devotion towards The Creator. It is a kind of fanaticism, where there is a feeling of not being aware or caring about anything else. The emotions conveyed are those of contentment and of being absorbed in a steadfast belief or faith. In this Raag, the soul is relaying the happiness that the mind could potentially experience if it joined in with this devotion | ||
Performed before sunrise, this raga was used by [[Guru Nanak]] Dev Ji, [[Guru Amar Das]] Ji, [[Guru Ram Das]] Ji, and [[Guru Arjan]] Dev Ji. | |||
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The vadis are performed with a slow, wide vibrato which may begin with the vadi itself or the highest limit to which it will extend. | The vadis are performed with a slow, wide vibrato which may begin with the vadi itself or the highest limit to which it will extend. In descent, the vibrato must begin with the upper limit. Otherwise, Bhairon has few characteristic phrases. | ||
[http://gurmatgiangroup.com/2012/03/07/rakha-eaek-hamaara-suaamee-raag-bhairon/ '''Gurbani Keertan in Raag Bhairon'''] | [http://gurmatgiangroup.com/2012/03/07/rakha-eaek-hamaara-suaamee-raag-bhairon/ '''Gurbani Keertan in Raag Bhairon'''] | ||
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*[[Taal]] | *[[Taal]] | ||
==External | ==External links== | ||
* [http://gurmatgiangroup.com/ Gurmat Gian Group] | |||
* [http://www.gurmatsangeetproject.com/ Gurmat Sangeet Project] | * [http://www.gurmatsangeetproject.com/ Gurmat Sangeet Project] | ||
* [http://www.gurmatsangeet.org/ Gurmat Sangeet] | |||
* [http://www.gurmatsangeetdarbar.com/ Gurmat Sangeet Darbar] | |||
* [http://www.rajacademy.com/ Raj Academy of Asian Music] | * [http://www.rajacademy.com/ Raj Academy of Asian Music] | ||
* [http://www.sikhnet.com/GurbaniKirtan/ Sikhnet: Shabad for Printing] | * [http://www.sikhnet.com/GurbaniKirtan/ Sikhnet: Shabad for Printing]<br><br> | ||
{{Kirtan}} | {{Kirtan}} |
Latest revision as of 04:01, 8 February 2019
Bhairon is an Indian musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture, the Sri Guru Granth Sahib Ji or SGGS for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune.
In the SGGS, the Sikh holy Granth (book), there are a total of 60 raga compositions and this raga is the Forty-eighth raga to appear in the series. The composition in this raga appears on a total of 43 pages from page numbers 1125 to 1168.
Raag Bhairao (ਭੇਰੳ) – Bhairao embodies the soul’s faith and heartfelt devotion towards The Creator. It is a kind of fanaticism, where there is a feeling of not being aware or caring about anything else. The emotions conveyed are those of contentment and of being absorbed in a steadfast belief or faith. In this Raag, the soul is relaying the happiness that the mind could potentially experience if it joined in with this devotion
Performed before sunrise, this raga was used by Guru Nanak Dev Ji, Guru Amar Das Ji, Guru Ram Das Ji, and Guru Arjan Dev Ji.
Section | Punjabi | English |
Aroh: | ਸ ਰ ਗ ਮ ਪ ਧ ਨ ਸ | Sa Re Ga Ma Pa Dha Ni Sa |
Avroh: | ਸ ਨ ਧ ਪ ਮ ਗ ਰ ਸ | Sa Ni Dha Pa Ma Ga Re Sa |
Vadi: | ਧ | Dha |
Samvadi: | ਰ | Re |
The vadis are performed with a slow, wide vibrato which may begin with the vadi itself or the highest limit to which it will extend. In descent, the vibrato must begin with the upper limit. Otherwise, Bhairon has few characteristic phrases.
Gurbani Keertan in Raag Bhairon
See also
External links
- Gurmat Gian Group
- Gurmat Sangeet Project
- Gurmat Sangeet
- Gurmat Sangeet Darbar
- Raj Academy of Asian Music
- Sikhnet: Shabad for Printing
Kirtan: | Raga · Taal · Ragmala · Classical Music · Sangeet · Dhuni · Divan · Asa di Var · Jatha · Simran · Shabad · Tuk · Rababi · Dhadhi |
Ragas: | Asa · Bairari · Basant · Bhairon · Bihagara · Bilaval · Devagandhari · Dhanasari · Gauri · Gond · Gujari · Jaijavanti · Jaitsri · Kalian · Kanara · Kedara · Maajh · Malaar · Mali Gaura · Maru · Nat Narain · Prabhati · Ramkali · Sarang · Sri · Sorath · Suhi · Tilang · Todi · Tukhari · Vadahans |
Ragis: | Harjinder Singh · Maninder Singh · Amolak Singh · Darshan Singh · Balwinder Singh · Harbans Singh · Anoop Singh · Niranjan Singh · Amrik Singh · Avtar Singh · Snatam Kaur ·Kamaljit Kaur · Dileep Kaur · Joginder Singh · SS Maskeen |
Saaj: | Harmonium · Tabla · · Tanpura · Taus · Rabab · Sarangi · Dilruba · · Saranda · Sarode · Sitar · Santoor · Pakhawaj · Dhadh · Dholak · Dool |