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(Prabhaati) This is an | (Prabhaati) This is an Indian musical [[raga]] (composition) that appears in the [[Sikh]] tradition from northern [[India]] and is part of the Sikh holy scripture called [[Sri Guru Granth Sahib]] Ji or [[SGGS]] for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. | ||
In the [[SGGS]], the Sikh holy Granth (book), there are a total of 31 raga compositions and this raga is the thirtieth raga to appear in the series. The | In the [[SGGS]], the Sikh holy Granth (book), there are a total of 31 raga compositions and this raga is the thirtieth raga to appear in the series. The composition in this raga appears on a total of 25 pages from page numbers 1327 to 1352. | ||
Prabhaati does not appear in the [[Ragmala]]; the nearest to it in name is Prabal. Prabhaati belongs to the Bhairav thata and is often combined with Raga Bhairav. Prabhaati was the setting used for | Prabhaati does not appear in the [[Ragmala]]; the nearest to it in name is Prabal. Prabhaati belongs to the Bhairav thata and is often combined with Raga Bhairav. Prabhaati was the setting used for 58 hymns by [[Guru Nanak]] Dev Ji, [[Guru Amar Das]] Ji, [[Guru Ram Das]] Ji, and [[Guru Arjan]] Dev Ji. This is a morning raga to be performed in a slow and dignified manner. | ||
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Revision as of 12:54, 4 September 2018
(Prabhaati) This is an Indian musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib Ji or SGGS for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune.
In the SGGS, the Sikh holy Granth (book), there are a total of 31 raga compositions and this raga is the thirtieth raga to appear in the series. The composition in this raga appears on a total of 25 pages from page numbers 1327 to 1352.
Prabhaati does not appear in the Ragmala; the nearest to it in name is Prabal. Prabhaati belongs to the Bhairav thata and is often combined with Raga Bhairav. Prabhaati was the setting used for 58 hymns by Guru Nanak Dev Ji, Guru Amar Das Ji, Guru Ram Das Ji, and Guru Arjan Dev Ji. This is a morning raga to be performed in a slow and dignified manner.
Section | Punjabi | English |
Aroh: | ਸ ਰ ਗ ਪ ਧ ਸ | Sa Re Ga Pa Dha Sa |
Avroh: | ਸ ਨ ਧ ਨ ਪ ਗ ਰ ਸ | Sa Ni Dha Ni Pa Ga Re Sa |
Pakar: | ਪ ਪ ਸ, ਨ ਧ ਨ ਪ, ਪ ਧ ਗ ਪ, ਧ ਪ ਧ | Pa Pa Sa, Ni Dha Ni Pa, Pa Dha Ga Pa, Dha Pa Dha |
Vadi: | ਸ | Sa |
Samvadi: | ਪ | Pa |
See also
External links
- Gurmat Gian Group
- Gurmat Sangeet Project
- Gurmat Sangeet
- Gurmat Sangeet Darbar
- Raj Academy of Asian Music
- Sikhnet: Shabad for Printing
Kirtan: | Raga · Taal · Ragmala · Classical Music · Sangeet · Dhuni · Divan · Asa di Var · Jatha · Simran · Shabad · Tuk · Rababi · Dhadhi |
Ragas: | Asa · Bairari · Basant · Bhairon · Bihagara · Bilaval · Devagandhari · Dhanasari · Gauri · Gond · Gujari · Jaijavanti · Jaitsri · Kalian · Kanara · Kedara · Maajh · Malaar · Mali Gaura · Maru · Nat Narain · Prabhati · Ramkali · Sarang · Sri · Sorath · Suhi · Tilang · Todi · Tukhari · Vadahans |
Ragis: | Harjinder Singh · Maninder Singh · Amolak Singh · Darshan Singh · Balwinder Singh · Harbans Singh · Anoop Singh · Niranjan Singh · Amrik Singh · Avtar Singh · Snatam Kaur ·Kamaljit Kaur · Dileep Kaur · Joginder Singh · SS Maskeen |
Saaj: | Harmonium · Tabla · · Tanpura · Taus · Rabab · Sarangi · Dilruba · · Saranda · Sarode · Sitar · Santoor · Pakhawaj · Dhadh · Dholak · Dool |