Prabhati: Difference between revisions
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In the [[SGGS]], the Sikh holy Granth (book) there are a total of 31 raga compositions and this raga is the thirtieth raga to appear in the series. The composition in this raga appear on a total of 25 pages from page numbers 1327 to 1352. | In the [[SGGS]], the Sikh holy Granth (book) there are a total of 31 raga compositions and this raga is the thirtieth raga to appear in the series. The composition in this raga appear on a total of 25 pages from page numbers 1327 to 1352. | ||
Prabhaati does not appear in the [[Ragmala]]; the nearest to it in name is Prabal. Prabhaati belongs to the Bhairav thata and is often combined with Raga Bhairav. Prabhaati was the setting used for some 58 hymns by [[Guru Nanak]], [[Guru Amar Das]], [[Guru Ram Das]] and [[Guru Arjan]]. This is a morning raga to be performed in a slow and dignified manner. | |||
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==See also == | ==See also == | ||
* [http://gurmatgiangroup.com/2012/07/30/har-jeeo-raag- | * [http://gurmatgiangroup.com/2012/07/30/har-jeeo-raag-prabhaati/ Gurbani Keertan in Raag Prabhaati] | ||
* [[Ragas in the SGGS]] | * [[Ragas in the SGGS]] | ||
* [[Kirtan]] | * [[Kirtan]] |
Revision as of 14:59, 18 July 2018
This is an India musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib or SGGS for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune.
In the SGGS, the Sikh holy Granth (book) there are a total of 31 raga compositions and this raga is the thirtieth raga to appear in the series. The composition in this raga appear on a total of 25 pages from page numbers 1327 to 1352.
Prabhaati does not appear in the Ragmala; the nearest to it in name is Prabal. Prabhaati belongs to the Bhairav thata and is often combined with Raga Bhairav. Prabhaati was the setting used for some 58 hymns by Guru Nanak, Guru Amar Das, Guru Ram Das and Guru Arjan. This is a morning raga to be performed in a slow and dignified manner.
Section | Punjabi | English |
Aroh: | ਸ ਰ ਗ ਪ ਧ ਸ | Sa Re Ga Pa Dha Sa |
Avroh: | ਸ ਨ ਧ ਨ ਪ ਗ ਰ ਸ | Sa Ni Dha Ni Pa Ga Re Sa |
Pakar: | ਪ ਪ ਸ, ਨ ਧ ਨ ਪ, ਪ ਧ ਗ ਪ, ਧ ਪ ਧ | Pa Pa Sa, Ni Dha Ni Pa, Pa Dha Ga Pa, Dha Pa Dha |
Vadi: | ਸ | Sa |
Samvadi: | ਪ | Pa |
See also
External links
- Gurmat Gian Group
- Gurmat Sangeet Project
- Gurmat Sangeet
- Gurmat Sangeet Darbar
- Raj Academy of Asian Music
- Sikhnet: Shabad for Printing
Kirtan: | Raga · Taal · Ragmala · Classical Music · Sangeet · Dhuni · Divan · Asa di Var · Jatha · Simran · Shabad · Tuk · Rababi · Dhadhi |
Ragas: | Asa · Bairari · Basant · Bhairon · Bihagara · Bilaval · Devagandhari · Dhanasari · Gauri · Gond · Gujari · Jaijavanti · Jaitsri · Kalian · Kanara · Kedara · Maajh · Malaar · Mali Gaura · Maru · Nat Narain · Prabhati · Ramkali · Sarang · Sri · Sorath · Suhi · Tilang · Todi · Tukhari · Vadahans |
Ragis: | Harjinder Singh · Maninder Singh · Amolak Singh · Darshan Singh · Balwinder Singh · Harbans Singh · Anoop Singh · Niranjan Singh · Amrik Singh · Avtar Singh · Snatam Kaur ·Kamaljit Kaur · Dileep Kaur · Joginder Singh · SS Maskeen |
Saaj: | Harmonium · Tabla · · Tanpura · Taus · Rabab · Sarangi · Dilruba · · Saranda · Sarode · Sitar · Santoor · Pakhawaj · Dhadh · Dholak · Dool |