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GHORIAN, hymns by | GHORIAN, hymns by [[Guru Ram Das]] in measure [[Vadahans]] in the [[Guru Granth Sahib]]. The word `ghondn` in [[Punjabi]] is tlie plural form of ghon, a mare. In Punjabi folk poetry, a type of lyrical songs which are sung on the occasion of marriage are called ghondn. A Punjabi marriage comprises a series of ceremonies performed at different stages. In one of these ceremonies the bridegroom mounts a handsomely caparisoned mare to go to the house of the bride where a reception awaits. The sisters of the bridegroom feed the marc with crushed gram from a plate, embellish the bridle strings and sing the songs of ghori, other girls and women joining them in chorus, as the bridegroom climbs up on the back of the mare. These eulogize the bridegroom and his ancestry and wish him a happy marriage. In the songs, the word ghon (mare) occurs frequently, almost once in every verse. Raga Vadahans in the Guru Granth Sahib incorporates hymns cast in the moulds of folk songs commonly sung at the time of birth, marraige and death. [[Guru Nanak]] has composed poems, in this rdgd, called alahamanor dirges, songs of mourning. [[Guru Amar Das]] has also contributed to these hymns in the same style. Guru Ram Das, the Fourth Guru, has composed two ghondn hymns, reminiscent of ghondn of folk poetry. The folk forms meant for mundane occasions have been utilized by the Gurus to compose verses of spiritual reference and meaning. The ghondn hymns, composed by Guru Ram Das, are lyrics of exquisite beauty, woven round images and symbols appropriate to the occasion of marriage, more particularly, to the ceremony of ghon or mareriding. These hymns hold that human life is a precious opportunity to get united to God as marriage is the opportunity to get united with the bride. The human body is the mare, riding which the seeker of God could successfully and victoriously reach his goal. The mind is to be harnessed, conquered and controlled, just as the mare is controlled by the saddle and bridle. In the hymns, the mare {ghon) has been called tejani, tun and tukhdi, all synonyms of ghon. The holy men or saints form the marriage procession; God Himself lays out the feast for them. Thus is the spouse found and begotten. The sustained metaphor, in the ghondn hymns, unfolds itself in eight parts, as follows: 1. This mare, i.e. the human body, has been created by God. It is most valuable and precious, a marvellous specimen of the craftsmanship of the Creator. It is obtained by good fortune only. It is of immense value in the spiritual journey, for through the faculties and potentialities it is endowed with, man gets an opportunity to obtain union with God. 2. The saddle refers to the subjugation of the mind through the guidance of the Guru. Divine knowledge is the harness that controls the mind. Meditation on the Name enriches the mind and gives it poise. This is the conquest of the mind. A mind so saddled or controlled is of vital aid in the journey of the soul towards its spouse, the Lord. 3. Bridle is the jnana or divine knowledge. True realization leads to the control of the mind. This directs and guides one on the path of spiritual journey. 4. Love of God is the whip used to urge the mare on its spiritual path. Love cultivates, chisels and fashions the mind. A cultivated mind remains in perfect balance and poise, and is not swayed by worldly desires and lusts. The nectar of nam (Name) transforms the human personality or mind completely. 5. The journey that the soul has to cover riding this mare is the sansdr. This is an arduous journey with worldly desires and attractions obstructing one at every step. 6. The holy men and saints form the marriage procession. It is the holy company which inspires and aids man to cross the obstacles. Thus the bridegroom, the seeker, successfully completes the journey, repeating constantly the Name, receiving inspiration from the saints. 7. The experience of bliss is the marriage feast. The marriage procession reaches its destination and crosses into the house of`Hari, the Supreme Being. There they enjoy and relish the ambrosial food, the nectar of the Name. This is the first taste of bliss, tlic supreme state of ANAND. 8. Union with God is the solemnization of the marriage. The bridegroom finds the spouse within himself. It is his own real self. He realizes himself. This union is eternal and the joy so attained is unending. This is the spiritual meaning oftlie hymns composed by Guru Ram D^s in the style of the popular Punjabi folk form of ghondn. Ghorian" are sung to celebrate a wedding;Ghorian" [[Shabad]]s are on marriage and other festive occasions.In addition to the classical music, the folk music (because of its wide appeal) is also given importance in the SGGS. In this regard, in addition to the Vaars listed above, there are some Shabads about the "Ghorian" and "Alahunian" etc. "Ghorian" Shabads are on marriage and other festive occasions. | ||
Ghorian (Song of the Mare) Page 575 to 576 by Guru Ram Das | Ghorian (Song of the Mare) Page 575 to 576 by Guru Ram Das | ||
{{Quoter|ਵਡਹੰਸ ਮਹਲਾ ੪ ਘੋੜੀਆ | |||
ਵਡਹੰਸ ਮਹਲਾ ੪ ਘੋੜੀਆ | |||
वडहंसढ़ महला ४ घोड़ीआ | वडहंसढ़ महला ४ घोड़ीआ | ||
vadhans mehlĝ 4 gẖoṛīĝ | vadhans mehlĝ 4 gẖoṛīĝ | ||
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जन नानक हरि वरढ़ पाइआ मंगलढ़ मिलि संत जना वाधाई ॥४॥१॥५॥ | जन नानक हरि वरढ़ पाइआ मंगलढ़ मिलि संत जना वाधाई ॥४॥१॥५॥ | ||
Jan Nĝnak har var pĝiĝ mangal mil sanṯ janĝ vĝḝẖĝī. ||4||1||5|| | Jan Nĝnak har var pĝiĝ mangal mil sanṯ janĝ vĝḝẖĝī. ||4||1||5|| | ||
Servant Nanak has obtained the Lord as his Spouse; joining together, the Saints sing the songs of joy and congratulations. ||4||1||5|| | Servant Nanak has obtained the Lord as his Spouse; joining together, the Saints sing the songs of joy and congratulations. ||4||1||5|| |}} | ||
==Audio== | |||
*[http://fateh.sikhnet.com/Sikhnet/music.nsf/da6454af36211f7b872564c9000e3aa7/d303e58d138fbd0c872570ff007e0b3e!OpenDocument [[Bhai Avtar Singh]]: Ji Raagi Singing 'Ghorian'Kirtan (Click Here).] | |||
*[http://soundcloud.com/mrsikhnet/bhai-baldeep-ghori-tejan-deh-ram/download [[Bhai Baldeep Singh]]: Ji Singing 'Ghorian' Kirtan(Click Here).] | |||
==See Also== | |||
* [[Anand Karaj]] | |||
* [[Laava]] | |||
==References== | ==References== | ||
1. Kohli, Surindar SINGH, A Critical Study of ADI GRANTH. Delhi, 1961. | 1. Kohli, Surindar SINGH, A Critical Study of ADI GRANTH. Delhi, 1961. | ||
[[Category: Poetry In SGGS]] | [[Category: Poetry In SGGS]] | ||
Revision as of 16:51, 9 December 2009
GHORIAN, hymns by Guru Ram Das in measure Vadahans in the Guru Granth Sahib. The word `ghondn` in Punjabi is tlie plural form of ghon, a mare. In Punjabi folk poetry, a type of lyrical songs which are sung on the occasion of marriage are called ghondn. A Punjabi marriage comprises a series of ceremonies performed at different stages. In one of these ceremonies the bridegroom mounts a handsomely caparisoned mare to go to the house of the bride where a reception awaits. The sisters of the bridegroom feed the marc with crushed gram from a plate, embellish the bridle strings and sing the songs of ghori, other girls and women joining them in chorus, as the bridegroom climbs up on the back of the mare. These eulogize the bridegroom and his ancestry and wish him a happy marriage. In the songs, the word ghon (mare) occurs frequently, almost once in every verse. Raga Vadahans in the Guru Granth Sahib incorporates hymns cast in the moulds of folk songs commonly sung at the time of birth, marraige and death. Guru Nanak has composed poems, in this rdgd, called alahamanor dirges, songs of mourning. Guru Amar Das has also contributed to these hymns in the same style. Guru Ram Das, the Fourth Guru, has composed two ghondn hymns, reminiscent of ghondn of folk poetry. The folk forms meant for mundane occasions have been utilized by the Gurus to compose verses of spiritual reference and meaning. The ghondn hymns, composed by Guru Ram Das, are lyrics of exquisite beauty, woven round images and symbols appropriate to the occasion of marriage, more particularly, to the ceremony of ghon or mareriding. These hymns hold that human life is a precious opportunity to get united to God as marriage is the opportunity to get united with the bride. The human body is the mare, riding which the seeker of God could successfully and victoriously reach his goal. The mind is to be harnessed, conquered and controlled, just as the mare is controlled by the saddle and bridle. In the hymns, the mare {ghon) has been called tejani, tun and tukhdi, all synonyms of ghon. The holy men or saints form the marriage procession; God Himself lays out the feast for them. Thus is the spouse found and begotten. The sustained metaphor, in the ghondn hymns, unfolds itself in eight parts, as follows: 1. This mare, i.e. the human body, has been created by God. It is most valuable and precious, a marvellous specimen of the craftsmanship of the Creator. It is obtained by good fortune only. It is of immense value in the spiritual journey, for through the faculties and potentialities it is endowed with, man gets an opportunity to obtain union with God. 2. The saddle refers to the subjugation of the mind through the guidance of the Guru. Divine knowledge is the harness that controls the mind. Meditation on the Name enriches the mind and gives it poise. This is the conquest of the mind. A mind so saddled or controlled is of vital aid in the journey of the soul towards its spouse, the Lord. 3. Bridle is the jnana or divine knowledge. True realization leads to the control of the mind. This directs and guides one on the path of spiritual journey. 4. Love of God is the whip used to urge the mare on its spiritual path. Love cultivates, chisels and fashions the mind. A cultivated mind remains in perfect balance and poise, and is not swayed by worldly desires and lusts. The nectar of nam (Name) transforms the human personality or mind completely. 5. The journey that the soul has to cover riding this mare is the sansdr. This is an arduous journey with worldly desires and attractions obstructing one at every step. 6. The holy men and saints form the marriage procession. It is the holy company which inspires and aids man to cross the obstacles. Thus the bridegroom, the seeker, successfully completes the journey, repeating constantly the Name, receiving inspiration from the saints. 7. The experience of bliss is the marriage feast. The marriage procession reaches its destination and crosses into the house of`Hari, the Supreme Being. There they enjoy and relish the ambrosial food, the nectar of the Name. This is the first taste of bliss, tlic supreme state of ANAND. 8. Union with God is the solemnization of the marriage. The bridegroom finds the spouse within himself. It is his own real self. He realizes himself. This union is eternal and the joy so attained is unending. This is the spiritual meaning oftlie hymns composed by Guru Ram D^s in the style of the popular Punjabi folk form of ghondn. Ghorian" are sung to celebrate a wedding;Ghorian" Shabads are on marriage and other festive occasions.In addition to the classical music, the folk music (because of its wide appeal) is also given importance in the SGGS. In this regard, in addition to the Vaars listed above, there are some Shabads about the "Ghorian" and "Alahunian" etc. "Ghorian" Shabads are on marriage and other festive occasions.
Ghorian (Song of the Mare) Page 575 to 576 by Guru Ram Das
| ਵਡਹੰਸ ਮਹਲਾ ੪ ਘੋੜੀਆ
वडहंसढ़ महला ४ घोड़ीआ vadhans mehlĝ 4 gẖoṛīĝ Wadahans, Fourth Mehl, Ghorees ~ The Wedding Procession Songs: ੴ ਸਤਿਗਰ ਪਰਸਾਦਿ ॥ ੴ सतिगढ़र पढ़रसादि ॥ Ikoaʼnkĝr saṯgur parsĝḝ. One Universal Creator God. By The Grace Of The True Guru: ਦੇਹ ਤੇਜਣਿ ਜੀ ਰਾਮਿ ਉਪਾਈਆ ਰਾਮ ॥ देह तेजणि जी रामि उपाईआ राम ॥ Ḏėh ṯėjaṇ jī rĝm upĝīĝ rĝm. This body-horse was created by the Lord. ਧੰਨ ਮਾਣਸ ਜਨਮ ਪੰਨਿ ਪਾਈਆ ਰਾਮ ॥ धंनढ़ माणस जनमढ़ पढ़ंनि पाईआ राम ॥ Ḏẖan mĝṇas janam punn pĝīĝ rĝm. Blessed is human life, which is obtained by virtuous actions. ਮਾਣਸ ਜਨਮ ਵਡ ਪੰਨੇ ਪਾਇਆ ਦੇਹ ਸ ਕੰਚਨ ਚੰਗੜੀਆ ॥ माणस जनमढ़ वड पढ़ंने पाइआ देह सढ़ कंचन चंगड़ीआ ॥ Mĝṇas janam vad punnė pĝiĝ ḝėh so kancẖan cẖangṛīĝ. Human life is obtained only by the most virtuous actions; this body is radiant and golden. ਗਰਮਖਿ ਰੰਗ ਚਲੂਲਾ ਪਾਵੈ ਹਰਿ ਹਰਿ ਹਰਿ ਨਵ ਰੰਗੜੀਆ ॥ गढ़रमढ़खि रंगढ़ चलूला पावै हरि हरि हरि नव रंगड़ीआ ॥ Gurmukẖ rang cẖalūlĝ pĝvai har har har nav rangṛīĝ. The Gurmukh is imbued with the deep red color of the poppy; he is imbued with the new color of the Lord's Name, Har, Har, Har. ਝਹ ਦੇਹ ਸ ਬਾਂਕੀ ਜਿਤ ਹਰਿ ਜਾਪੀ ਹਰਿ ਹਰਿ ਨਾਮਿ ਸਹਾਵੀਆ ॥ झह देह सढ़ बांकी जितढ़ हरि जापी हरि हरि नामि सढ़हावीआ ॥ Ėh ḝėh so bĝʼnkī jiṯ har jĝpī har har nĝm suhĝvīĝ. This body is so very beautiful; it chants the Name of the Lord, and it is adorned with the Name of the Lord, Har, Har. ਵਡਭਾਗੀ ਪਾਈ ਨਾਮ ਸਖਾਈ ਜਨ ਨਾਨਕ ਰਾਮਿ ਉਪਾਈਆ ॥੧॥ वडभागी पाई नामढ़ सखाई जन नानक रामि उपाईआ ॥१॥ vadbẖĝgī pĝī nĝm sakẖĝī jan Nĝnak rĝm upĝīĝ. |
Audio
- Bhai Avtar Singh: Ji Raagi Singing 'Ghorian'Kirtan (Click Here).
- Bhai Baldeep Singh: Ji Singing 'Ghorian' Kirtan(Click Here).
See Also
References
1. Kohli, Surindar SINGH, A Critical Study of ADI GRANTH. Delhi, 1961.
