Talk:B-40 Janamsakhi: Difference between revisions
Allenwalla (talk | contribs) m (Lucky ji or anyone, do you know if this illustration has any title. It seems as well to include Guru Hargobind ji (left bottom [7 o'clock} two swords (Miri and Piri?) are evident) and another Guru at) |
Allenwalla (talk | contribs) m (All men are pictured with Karas on their wrists; was this a common practice before Guru Gobind Singh Ji? Please see some questions????) |
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Lucky ji or anyone, do you know if this illustration has any title. It seems as well to include Guru Hargobind ji (left bottom [7 o'clock} two swords (Miri and Piri?) are evident) and another Guru at (4 o'clock) (the third shown with a Halo) who also is noted for having a hawk and bow and arrows. | Lucky ji or anyone, do you know if this illustration has any title. It seems as well to include Guru Hargobind ji (left bottom [7 o'clock} two swords (Miri and Piri?) are evident) and another Guru at (4 o'clock) (the third shown with a Halo) who also is noted for having a hawk and bow and arrows. | ||
I go further to guess that it is Bhai Mardana in a topi characteristic of the Muslim Mirasi which is often seen in the minstrals in old european art. The musicians at bottom could be Balwand & Satta (when did tablas become common? and the string instrument seems to have a gourd at tuning end of the neck. | |||
All men are pictured with Karas on their wrists; was this a common practise before Guru Gobind Singh Ji? [[User:Allenwalla|Allenwalla]] 02:55, 1 July 2009 (UTC) | |||
Would the person who commissioned this have had himself included in the illustrations? | |||
Revision as of 20:55, 30 June 2009
Lucky ji or anyone, do you know if this illustration has any title. It seems as well to include Guru Hargobind ji (left bottom [7 o'clock} two swords (Miri and Piri?) are evident) and another Guru at (4 o'clock) (the third shown with a Halo) who also is noted for having a hawk and bow and arrows.
I go further to guess that it is Bhai Mardana in a topi characteristic of the Muslim Mirasi which is often seen in the minstrals in old european art. The musicians at bottom could be Balwand & Satta (when did tablas become common? and the string instrument seems to have a gourd at tuning end of the neck.
All men are pictured with Karas on their wrists; was this a common practise before Guru Gobind Singh Ji? Allenwalla 02:55, 1 July 2009 (UTC)
Would the person who commissioned this have had himself included in the illustrations?
