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Details for log entry 882

13:35, 1 March 2011: KARANBIR VIRK (talk | contribs) triggered filter 0, performing the action "edit" on Chaal. Actions taken: Warn; Filter description: (examine)

Changes made in edit

The following rhythms are presented for a right handed player , they should be reversed for a left handed player.
The thin thilli cane is held in the right hand, it strikes the high pitched end of the drum. The thick bent cane is held in the left hand and strikes the bass end of the drum.
There are a number of strokes which are either single hits or combination hits. The method of learning uses 'bols' (words) and each word represents one of those strokes. Players use these to teach, learn and pass on information. Johnny uses them to tell the players what is coming next, he can even teach over the phone, It is fascinating to experience.
Dhol 'Bols'
Na/Ta - Treble side only
Ge/Gi - Bass side only
Dha - Bass and treble sides together
Ke - Bass side struck and stick left on the head to mute
Kin/Kran - muted bass stroke with open treble stroke


It is most common to hear the rhythms as a 'shuffle' feel almost like a dotted eighth, the rhythms are actually regarded as straight and the 'shuffle' is merely an slight advance of every second beat. For the purposes of this introduction, I'd advise treating the rhythms as a shuffle to get the feel of the flow of the music .
The base rhythm is known as the Chaal, most rhythms use this or variations thereof as the foundation It translates excellently to djembe (and bodhran :)
Dha Na..Na .Na .Na .Dha Dha.Na
B ..L...L.. L ..L.. B.. B.. L
1 ..2 ..3 ..4 ..5 ..6 ..7 ..8
The underlying feel is like a light shuffle, if you play it like a dotted eighth you're close enough, it is bit square [?] when played straight. Here's what it feels like, note how the beats are grouped, it skips along when played slowly but rocks at 200+ bpm on the dhol!
:)).. ... ... ... ... ... ... ...
1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8
B o o o o B B o B o o o o B B o
You can hear it on Johnny Kalsi's New Year's day set for BBC Radio, There's a different version which realy rocks as a base rhythm, you will hear this in The Dhol Foundation set too
1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8
o...o o o.. o o o . o o o . o o
B ........B B ..B ........B B
Dha Na..Na .Na .Na .Dha Dha.Na
B ..L...L.. L ..L.. B.. B.. L
1 ..2 ..3 ..4 ..5 ..6 ..7 ..8

Action parameters

VariableValue
Name of the user account (user_name)
'KARANBIR VIRK'
Page ID (page_id)
0
Page namespace (page_namespace)
0
Page title (without namespace) (page_title)
'Chaal'
Full page title (page_prefixedtitle)
'Chaal'
Action (action)
'edit'
Edit summary/reason (summary)
'<http://www.drumdojo.com/chaal_2.htm>'
Whether or not the edit is marked as minor (no longer in use) (minor_edit)
true
Old page wikitext, before the edit (old_wikitext)
''
New page wikitext, after the edit (new_wikitext)
'The following rhythms are presented for a right handed player , they should be reversed for a left handed player. The thin thilli cane is held in the right hand, it strikes the high pitched end of the drum. The thick bent cane is held in the left hand and strikes the bass end of the drum. There are a number of strokes which are either single hits or combination hits. The method of learning uses 'bols' (words) and each word represents one of those strokes. Players use these to teach, learn and pass on information. Johnny uses them to tell the players what is coming next, he can even teach over the phone, It is fascinating to experience. Dhol 'Bols' Na/Ta - Treble side only Ge/Gi - Bass side only Dha - Bass and treble sides together Ke - Bass side struck and stick left on the head to mute Kin/Kran - muted bass stroke with open treble stroke It is most common to hear the rhythms as a 'shuffle' feel almost like a dotted eighth, the rhythms are actually regarded as straight and the 'shuffle' is merely an slight advance of every second beat. For the purposes of this introduction, I'd advise treating the rhythms as a shuffle to get the feel of the flow of the music . The base rhythm is known as the Chaal, most rhythms use this or variations thereof as the foundation It translates excellently to djembe (and bodhran :) Dha Na..Na .Na .Na .Dha Dha.Na B ..L...L.. L ..L.. B.. B.. L 1 ..2 ..3 ..4 ..5 ..6 ..7 ..8 The underlying feel is like a light shuffle, if you play it like a dotted eighth you're close enough, it is bit square [?] when played straight. Here's what it feels like, note how the beats are grouped, it skips along when played slowly but rocks at 200+ bpm on the dhol! :)).. ... ... ... ... ... ... ... 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 B o o o o B B o B o o o o B B o You can hear it on Johnny Kalsi's New Year's day set for BBC Radio, There's a different version which realy rocks as a base rhythm, you will hear this in The Dhol Foundation set too 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 o...o o o.. o o o . o o o . o o B ........B B ..B ........B B Dha Na..Na .Na .Na .Dha Dha.Na B ..L...L.. L ..L.. B.. B.. L 1 ..2 ..3 ..4 ..5 ..6 ..7 ..8'
Unix timestamp of change (timestamp)
1299008153
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