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This is an | This is an Indian musical [[raga]] (composition) that appears in the [[Sikh]] tradition from northern [[India]] and is part of the Sikh holy scripture called [[Sri Guru Granth Sahib]] or [[SGGS]] for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. | ||
In the [[SGGS]], the Sikh holy Granth (book) there are a total of 31 raga compositions and this raga is the twelveth raga to appear in the series. The composition in this raga appear on a total of 8 pages from page numbers 711 to 719. | In the [[SGGS]], the Sikh holy Granth (book), there are a total of 31 raga compositions and this raga is the twelveth raga to appear in the series. The composition in this raga appear on a total of 8 pages from page numbers 711 to 719. | ||
A ragini of Dipak in the [[Ragmala]], Todi is today the head of a thata. It is considered one of the most important of the north Indian ragas. Todi was used by the Gurus for 32 hymns. This is a raga for the late morning hours and the mood is gentle, with an aura of adoration. The texts composed to this raga emphasize that no matter what problems man meets or what worldly affairs distract the mind, devotion to the Lord brings one back to the path of release from worldliness. | A ragini of Dipak in the [[Ragmala]], Todi is today the head of a thata. It is considered one of the most important of the north Indian ragas. Todi was used by the Gurus for 32 hymns. This is a raga for the late morning hours and the mood is gentle, with an aura of adoration. The texts composed to this raga emphasize that no matter what problems a man meets or what worldly affairs distract the mind, devotion to the Lord brings one back to the path of release from worldliness. | ||
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Revision as of 04:53, 20 August 2018
This is an Indian musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib or SGGS for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune.
In the SGGS, the Sikh holy Granth (book), there are a total of 31 raga compositions and this raga is the twelveth raga to appear in the series. The composition in this raga appear on a total of 8 pages from page numbers 711 to 719.
A ragini of Dipak in the Ragmala, Todi is today the head of a thata. It is considered one of the most important of the north Indian ragas. Todi was used by the Gurus for 32 hymns. This is a raga for the late morning hours and the mood is gentle, with an aura of adoration. The texts composed to this raga emphasize that no matter what problems a man meets or what worldly affairs distract the mind, devotion to the Lord brings one back to the path of release from worldliness.
| Section | Punjabi | English |
| Aroh: | ਸ ਰ ਗ ਮ’ ਪ ਧ ਨ ਸ | Sa Re Ga Ma' Pa Dha Ni Sa |
| Avroh: | ਸ ਨ ਧ ਪ ਮ’ ਗ ਰ ਸ | Sa Ni Dha Pa Ma' Ga Re Sa |
| Pakar: | ਧ ਨ ਸ, ਰ ਗ, ਰ ਸ, ਮ' ਗ ਪ ਮ' ਗ, ਰ ਗ ਰ ਸ | Dha Ni Sa, Re Ga, Re Sa, Ma' Ga Pa Ma' Ga, Re Ga Re Sa |
| Vadi: | ਧ | Dha |
| Samvadi: | ਰ | Re |
See also
External links
- Gurmat Gian Group
- Gurmat Sangeet Project
- Gurmat Sangeet
- Gurmat Sangeet Darbar
- Raj Academy of Asian Music
- Sikhnet: Shabad for Printing
| Kirtan: | Raga · Taal · Ragmala · Classical Music · Sangeet · Dhuni · Divan · Asa di Var · Jatha · Simran · Shabad · Tuk · Rababi · Dhadhi |
| Ragas: | Asa · Bairari · Basant · Bhairon · Bihagara · Bilaval · Devagandhari · Dhanasari · Gauri · Gond · Gujari · Jaijavanti · Jaitsri · Kalian · Kanara · Kedara · Maajh · Malaar · Mali Gaura · Maru · Nat Narain · Prabhati · Ramkali · Sarang · Sri · Sorath · Suhi · Tilang · Todi · Tukhari · Vadahans |
| Ragis: | Harjinder Singh · Maninder Singh · Amolak Singh · Darshan Singh · Balwinder Singh · Harbans Singh · Anoop Singh · Niranjan Singh · Amrik Singh · Avtar Singh · Snatam Kaur ·Kamaljit Kaur · Dileep Kaur · Joginder Singh · SS Maskeen |
| Saaj: | Harmonium · Tabla · · Tanpura · Taus · Rabab · Sarangi · Dilruba · · Saranda · Sarode · Sitar · Santoor · Pakhawaj · Dhadh · Dholak · Dool |
