Difference between revisions of "Sri Raag"

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'''Raag Sri''' was favoured by the [[Hindu]]s for religious occasions and is found in many of the old treatises. In the [[Ragmala]] listed as a '''parent [[Raga]]''', it currently is a member of the puroi thata. Still a popular concert raga today, it is considered one of the most famous from among the North Indian classical system. [[Guru Nanak]], [[Guru Amar Das]], [[Guru Ram Das]], and [[Guru Arjan]] composed to this raga. Traditionally performed at sunset, it is assigned to the rainy season as well as the months of November and December. Its mood is one of majesty combined with prayerful meditation. This raga is always referred to as "Sri Raag" rather than placing the term raga before the name. It accompanies about 142 shabads.  
 
'''Raag Sri''' was favoured by the [[Hindu]]s for religious occasions and is found in many of the old treatises. In the [[Ragmala]] listed as a '''parent [[Raga]]''', it currently is a member of the puroi thata. Still a popular concert raga today, it is considered one of the most famous from among the North Indian classical system. [[Guru Nanak]], [[Guru Amar Das]], [[Guru Ram Das]], and [[Guru Arjan]] composed to this raga. Traditionally performed at sunset, it is assigned to the rainy season as well as the months of November and December. Its mood is one of majesty combined with prayerful meditation. This raga is always referred to as "Sri Raag" rather than placing the term raga before the name. It accompanies about 142 shabads.  
  
[[Aroh]] : ਸ ਰੇ੝ ਮ', ਪ
+
{|style="width:70%; background:#f5f5f5; " border="1" cellpadding="7" cellspacing="0"
 +
|width=20%| '''Section'''
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|width=40%| '''Punjabi'''
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|width=40%| '''English'''
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|-
 +
| [[Aroh]]: || ਸ ਰ੝ ਮ' ਪ ਨ ਸ || Sa <u>Re</u> Ma' Pa Ni Sa
 +
|-
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| [[Avroh]]: || ਨ ਧ੝ ਪ ਮ' ਗ ਰ੝ ਸ || Sa Ni <u>Dha</u> Pa Ma' Ga <u>Re</u> Sa
 +
|-
 +
| [[Pakar]]: || ਸ, ਰ੝ ਰ੝ ਪ, ਪ ਮ' ਗ ਰ੝, ਰ੝ ਰ੝, || Sam <u>Re</u> <u>Re</u> Pa, Pa Ma' Ga <u>Re</u>, <u>Re</u> <u>Re</u>, Sa
 +
|-
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| [[Vadi]]: || ਰ੝ || <u>Re</u>
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|-
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| [[Samvadi]]: || ਪ || Pa
 +
|}
  
[[Avroh]] : ਸ ਨ ਧ੝, ਪ ਮ' ਗ ਰੇ੝ ਸ 
 
 
[[Pakar]] : ਸ, ਰੇ੝ ਰੇ੝ ਪ, ਪ ਮ' ਗ ਰ, ਰੇ੝ ਰੇ੝, ਸ
 
 
[[Vadi]] : ਰੇ੝
 
 
[[Samvadi]] : ਪ
 
  
 
Atmosphere: Solemn and grave
 
Atmosphere: Solemn and grave

Revision as of 13:33, 29 June 2010

This is the first Raga to appear in the Guru Granth Sahib.The second raga is Maajh Raga

It appears on pages 14 to 94 and covers a total of 80 pages.


Raag Sri was favoured by the Hindus for religious occasions and is found in many of the old treatises. In the Ragmala listed as a parent Raga, it currently is a member of the puroi thata. Still a popular concert raga today, it is considered one of the most famous from among the North Indian classical system. Guru Nanak, Guru Amar Das, Guru Ram Das, and Guru Arjan composed to this raga. Traditionally performed at sunset, it is assigned to the rainy season as well as the months of November and December. Its mood is one of majesty combined with prayerful meditation. This raga is always referred to as "Sri Raag" rather than placing the term raga before the name. It accompanies about 142 shabads.

Section Punjabi English
Aroh: ਸ ਰ੝ ਮ' ਪ ਨ ਸ Sa Re Ma' Pa Ni Sa
Avroh: ਸ ਨ ਧ੝ ਪ ਮ' ਗ ਰ੝ ਸ Sa Ni Dha Pa Ma' Ga Re Sa
Pakar: ਸ, ਰ੝ ਰ੝ ਪ, ਪ ਮ' ਗ ਰ੝, ਰ੝ ਰ੝, ਸ Sam Re Re Pa, Pa Ma' Ga Re, Re Re, Sa
Vadi: ਰ੝ Re
Samvadi: Pa


Atmosphere: Solemn and grave

Time of Singing: Evening (6 PM-9 PM)

see also Raga