Raag Shudh Basant: Difference between revisions
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[http://gurmatgiangroup.com/raag-shudh-basant/ '''More on Raag Shudh Basant'''] | [http://gurmatgiangroup.com/raag-shudh-basant/ '''More on Raag Shudh Basant'''] | ||
[http://gurmatgiangroup.com/2013/08/08/tum-saach-dhiavoh-mugadh-mana-raag-shudh-basant/ '''Gurbani Keertan in Raag Shudh Basant'''] | |||
Revision as of 01:20, 10 August 2013
There are many forms of Raag Basant. In Indian Classical music Raag Shudh Basant is of Poorvi thaat. Many exponents of Gurbani Sangeet give more importance to Bilawal form of Basant.
Raag Shudh Basant
Swars used in this raag are: Rishab komal, Dhaivat komal, Madhayam teevra. All other swars are Shudh. In Aroh Rishab and Pancham are not used. Shudh Madhayam is occasionally used to create beauty in singing.
Jatti: Aurav Sampooran; Thaat: Poorvi; Singing time: Any time in Basant season.
Aroh: ਸ਼ ਗ ਮਂ ਧੁ ਨ ਸਂ ਰੁਂ ਸਂ
Sa Ga Ma(t) Dha(k) Ni Sa Re(k)(t) Sa.
Avroh: ਰੁਂ ਨ ਧੁ ਪ, ਮਂ ਗ, ਮਂ ਧੁ ਮਂ ਗ ਰੁ ਸ਼
Re(k)(t) Ni Dh(k) Pa, Ma(t) Ga, Ma(t) Dh(k) Ma(t) Ga Re(k) Sa
