Nat Narain: Difference between revisions
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
(Nat Naaraayan) This is an Indian musical [[raga]] (composition) that appears in the [[Sikh]] tradition from northern [[India]] and is part of the Sikh holy scripture called [[Sri Guru Granth Sahib]] or [[SGGS]] for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. | (Nat Naaraayan) This is an Indian musical [[raga]] (composition) that appears in the [[Sikh]] tradition from northern [[India]] and is part of the Sikh holy scripture called [[Sri Guru Granth Sahib]] Ji or [[SGGS]] for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. | ||
In the [[SGGS]], the Sikh holy Granth (book), there are a total of 31 raga compositions and this raga is the ninteenth raga to appear in the series. The composition in this raga appears on a total of 9 pages from page numbers 975 to 984. | In the [[SGGS]], the Sikh holy Granth (book), there are a total of 31 raga compositions and this raga is the ninteenth raga to appear in the series. The composition in this raga appears on a total of 9 pages from page numbers 975 to 984. | ||
In the [[Ragmala]], Nat is given as putra (son) of Megha while today, Nat Naraayan appears under the Bilaval thata and is assigned to the evening hours. | In the [[Ragmala]], Nat is given as putra (son) of Megha while today, Nat Naraayan appears under the Bilaval thata and is assigned to the evening hours. This raga was used by [[Guru Ram Das]] Ji and [[Guru Arjan]] Dev Ji. Nat Naaraayan morning is pictured as a warrior riding to battle. In the Holy Book, the fight against sin is never-ending but those who seek refuge in the Lord have their sufferings removed. | ||
{|style="width:70%; background:#f5f5f5; " border="1" cellpadding="7" cellspacing="0" | {|style="width:70%; background:#f5f5f5; " border="1" cellpadding="7" cellspacing="0" | ||
Revision as of 21:29, 2 September 2018
(Nat Naaraayan) This is an Indian musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib Ji or SGGS for short. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune.
In the SGGS, the Sikh holy Granth (book), there are a total of 31 raga compositions and this raga is the ninteenth raga to appear in the series. The composition in this raga appears on a total of 9 pages from page numbers 975 to 984.
In the Ragmala, Nat is given as putra (son) of Megha while today, Nat Naraayan appears under the Bilaval thata and is assigned to the evening hours. This raga was used by Guru Ram Das Ji and Guru Arjan Dev Ji. Nat Naaraayan morning is pictured as a warrior riding to battle. In the Holy Book, the fight against sin is never-ending but those who seek refuge in the Lord have their sufferings removed.
| Section | Punjabi | English |
| Aroh: | ਸ ਮ ਗ ਮ ਰ ਮ’ ਪ ਧ ਨ ਸ | Sa Ma Ga Ma Re Ma' Pa Dha Ni Sa |
| Avroh: | ਸ ਧ ਪ ਮ’ ਧ ਪ ਗ ਮ ਸ | Sa Dha Pa Ma' Dha Pa Ga Ma Sa |
| Vadi: | ਸ | Sa |
| Samvadi: | ਰ | Re |
Gurbani Keertan in Raag Nat Narayan
See also
External links
- Gurmat Gian Group
- Gurmat Sangeet Project
- Gurmat Sangeet
- Gurmat Sangeet Darbar
- Raj Academy of Asian Music
- Sikhnet: Shabad for Printing
| Kirtan: | Raga · Taal · Ragmala · Classical Music · Sangeet · Dhuni · Divan · Asa di Var · Jatha · Simran · Shabad · Tuk · Rababi · Dhadhi |
| Ragas: | Asa · Bairari · Basant · Bhairon · Bihagara · Bilaval · Devagandhari · Dhanasari · Gauri · Gond · Gujari · Jaijavanti · Jaitsri · Kalian · Kanara · Kedara · Maajh · Malaar · Mali Gaura · Maru · Nat Narain · Prabhati · Ramkali · Sarang · Sri · Sorath · Suhi · Tilang · Todi · Tukhari · Vadahans |
| Ragis: | Harjinder Singh · Maninder Singh · Amolak Singh · Darshan Singh · Balwinder Singh · Harbans Singh · Anoop Singh · Niranjan Singh · Amrik Singh · Avtar Singh · Snatam Kaur ·Kamaljit Kaur · Dileep Kaur · Joginder Singh · SS Maskeen |
| Saaj: | Harmonium · Tabla · · Tanpura · Taus · Rabab · Sarangi · Dilruba · · Saranda · Sarode · Sitar · Santoor · Pakhawaj · Dhadh · Dholak · Dool |
