Maru: Difference between revisions

From SikhiWiki
Jump to navigationJump to search
No edit summary
No edit summary
Line 1: Line 1:
'''Raga Maru''' This is the twenty first [[Raga]] to appear in the [[Guru Granth Sahib]].The first raga is [[Sri]] Raga and the last Raga is [[Jaijavanti]].
'''Raga Maru''' This is the twenty first (21st) [[Raga]] to appear in the [[Sri Guru Granth Sahib Jee]].The first raga is [[Sri]] Raga and the last Raga is [[Jaijavanti]].


It appears on pages 989 to 1107 and covers a total of  118 pages.
It appears on pages 989 to 1107 and covers a total of  118 pages. Below is the Map of Raga for eaasy reference
{| class="wikitable"
{| class="wikitable"


Line 40: Line 40:
|-
|-
| Anjuliyaan Ghar 8 || 0 || 0 || 0 || 2|| 0  
| Anjuliyaan Ghar 8 || 0 || 0 || 0 || 2|| 0  
|-
! Collection of 16 Shabads (Solhe or Famously "Maru Solhe") !! Count!!Count!!Count!!Count!!Count
|-
|-
|}
|}
Maru is an old raga seldom heard in concerts today. Some theorists equate it with Maruva or 'Marva. In the Ragmala, Maru is a putra (son) of Malkaunsa. It is found in other classifications from the 14th to the early 19th century. Maru was used by Guru Nanak, Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Tegh Bahadur for 144 hymns, two vars plus a large number of slokas. One of its variations is Maru Kafi. Maru is assigned to the hours of sunset and is considered suitable for the cold season. The mood is quiet and contemplative. The tonal material given here is for Maru Bihag, Bilaval thata.  
Maru is an old raga seldom heard in concerts today. Some theorists equate it with Maruva or 'Marva. In the Ragmala, Maru is a putra (son) of Malkaunsa. It is found in other classifications from the 14th to the early 19th century. Maru was used by Guru Nanak, Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Tegh Bahadur for 144 hymns, two vars plus a large number of slokas. One of its variations is Maru Kafi. Maru is assigned to the hours of sunset and is considered suitable for the cold season. The mood is quiet and contemplative. The tonal material given here is for Maru Bihag, Bilaval thata.  



Revision as of 13:18, 24 June 2016

Raga Maru This is the twenty first (21st) Raga to appear in the Sri Guru Granth Sahib Jee.The first raga is Sri Raga and the last Raga is Jaijavanti.

It appears on pages 989 to 1107 and covers a total of 118 pages. Below is the Map of Raga for eaasy reference

Ghar # Guru Nanak Guru Amar Das Guru Ram Das Guru Arjun Dev Guru Teg Bahadur
Collection of 4 Shabads Count Count Count Count Count
Ghar 1 11 5 0 0 3
Ghar 2 0 0 2 9 0
Ghar 3 0 0 4 7 0
Ghar 4 0 0 0 7 0
Ghar 5 1 0 2 0 0
Ghar 6 0 0 0 7 0
Ghar 7 0 0 0 2 0
Collection of 8 Shabads (Ashtpadiyaan) Count Count Count Count Count
Ghar 1 8 0 0 0 0
Kafi Ghar 2 3 0 0 0 0
Ghar 3 0 0 0 3 0
Ghar 4 0 0 0 3 0
Ghar 5 0 1 0 0 0
Ghar 6 0 0 0 0 0
Ghar 7 0 0 0 0 0
Anjuliyaan Ghar 8 0 0 0 2 0
Collection of 16 Shabads (Solhe or Famously "Maru Solhe") Count Count Count Count Count

Maru is an old raga seldom heard in concerts today. Some theorists equate it with Maruva or 'Marva. In the Ragmala, Maru is a putra (son) of Malkaunsa. It is found in other classifications from the 14th to the early 19th century. Maru was used by Guru Nanak, Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Tegh Bahadur for 144 hymns, two vars plus a large number of slokas. One of its variations is Maru Kafi. Maru is assigned to the hours of sunset and is considered suitable for the cold season. The mood is quiet and contemplative. The tonal material given here is for Maru Bihag, Bilaval thata.

Section Punjabi English
Aroh: ਸ ਗ ਮ ਪ ਨ ਸ Sa Ga Ma Pa Ni Sa
Avroh: ਸ ਨ੝ ਧ ਪ ਧ ਮ ਪ ਗ ਮ ਰ ਸ Sa Ni Dha Pa Dha Ma Pa Ga Ma Re Sa
Pakar: ਪ ਧ ਨ ਧ ਪ ਮ ਪ ਮ ਗ, ਪ ਧ ਪ ਗ ਰ, ਗ ਰ ਸ Pa Dha Ni Dha Pa Ma Pa Ma Ga, Pa Dha Pa Ga Re, Ga Re Sa
Vadi: Pa
Samvadi: Ni

Gurbani Keertan in Raag Maru

See also Raga, Kirtan, Sikh Kirtan, Taal


External links