Maru: Difference between revisions
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! Ghar # !! Guru Nanak !! Guru Amar Das !! Guru Ram Das !! Guru Arjun Dev !! Guru Teg Bahadur | ! Ghar # !! Guru Nanak !! Guru Amar Das !! Guru Ram Das !! Guru Arjun Dev !! Guru Teg Bahadur | ||
|- | |- | ||
! Collection of 4 Shabads !! Count!!Count!!Count!!Count!!Count | |||
|- | |- | ||
| Ghar 1 || 11 || 5 || 0 || 0 || 3 | | Ghar 1 || 11 || 5 || 0 || 0 || 3 | ||
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|- | |- | ||
| Ghar 7 || 0 || 0 || 0 || 2|| 0 | | Ghar 7 || 0 || 0 || 0 || 2|| 0 | ||
|- | |||
! Collection of 8 Shabads (Ashtpadiyaan) !! Count!!Count!!Count!!Count!!Count | |||
|- | |||
| Ghar 1 || 8 || 0 || 0 || 0 || 0 | |||
|- | |||
| Kafi Ghar 2 || 3 || 0 || 0|| 0 || 0 | |||
|- | |||
| Ghar 3 || 0 || 0 || 0 || 3 || 0 | |||
|- | |||
| Ghar 4 || 0 || 0 || 0 || 3|| 0 | |||
|- | |||
| Ghar 5 || 0 || 1 || 0 || 0 || 0 | |||
|- | |||
| Ghar 6 || 0 || 0 || 0 ||0 || 0 | |||
|- | |||
| Ghar 7 || 0 || 0 || 0 || 0|| 0 | |||
|- | |||
| Anjuliyaan Ghar 8 || 0 || 0 || 0 || 2|| 0 | |||
|- | |||
|} | |} | ||
Maru is an old raga seldom heard in concerts today. Some theorists equate it with Maruva or 'Marva. In the Ragmala, Maru is a putra (son) of Malkaunsa. It is found in other classifications from the 14th to the early 19th century. Maru was used by Guru Nanak, Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Tegh Bahadur for 144 hymns, two vars plus a large number of slokas. One of its variations is Maru Kafi. Maru is assigned to the hours of sunset and is considered suitable for the cold season. The mood is quiet and contemplative. The tonal material given here is for Maru Bihag, Bilaval thata. | Maru is an old raga seldom heard in concerts today. Some theorists equate it with Maruva or 'Marva. In the Ragmala, Maru is a putra (son) of Malkaunsa. It is found in other classifications from the 14th to the early 19th century. Maru was used by Guru Nanak, Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Tegh Bahadur for 144 hymns, two vars plus a large number of slokas. One of its variations is Maru Kafi. Maru is assigned to the hours of sunset and is considered suitable for the cold season. The mood is quiet and contemplative. The tonal material given here is for Maru Bihag, Bilaval thata. | ||
Revision as of 13:07, 24 June 2016
Raga Maru This is the twenty first Raga to appear in the Guru Granth Sahib.The first raga is Sri Raga and the last Raga is Jaijavanti.
It appears on pages 989 to 1107 and covers a total of 118 pages.
| Ghar # | Guru Nanak | Guru Amar Das | Guru Ram Das | Guru Arjun Dev | Guru Teg Bahadur |
|---|---|---|---|---|---|
| Collection of 4 Shabads | Count | Count | Count | Count | Count |
| Ghar 1 | 11 | 5 | 0 | 0 | 3 |
| Ghar 2 | 0 | 0 | 2 | 9 | 0 |
| Ghar 3 | 0 | 0 | 4 | 7 | 0 |
| Ghar 4 | 0 | 0 | 0 | 7 | 0 |
| Ghar 5 | 1 | 0 | 2 | 0 | 0 |
| Ghar 6 | 0 | 0 | 0 | 7 | 0 |
| Ghar 7 | 0 | 0 | 0 | 2 | 0 |
| Collection of 8 Shabads (Ashtpadiyaan) | Count | Count | Count | Count | Count |
| Ghar 1 | 8 | 0 | 0 | 0 | 0 |
| Kafi Ghar 2 | 3 | 0 | 0 | 0 | 0 |
| Ghar 3 | 0 | 0 | 0 | 3 | 0 |
| Ghar 4 | 0 | 0 | 0 | 3 | 0 |
| Ghar 5 | 0 | 1 | 0 | 0 | 0 |
| Ghar 6 | 0 | 0 | 0 | 0 | 0 |
| Ghar 7 | 0 | 0 | 0 | 0 | 0 |
| Anjuliyaan Ghar 8 | 0 | 0 | 0 | 2 | 0 |
Maru is an old raga seldom heard in concerts today. Some theorists equate it with Maruva or 'Marva. In the Ragmala, Maru is a putra (son) of Malkaunsa. It is found in other classifications from the 14th to the early 19th century. Maru was used by Guru Nanak, Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Tegh Bahadur for 144 hymns, two vars plus a large number of slokas. One of its variations is Maru Kafi. Maru is assigned to the hours of sunset and is considered suitable for the cold season. The mood is quiet and contemplative. The tonal material given here is for Maru Bihag, Bilaval thata.
| Section | Punjabi | English |
| Aroh: | ਸ ਗ ਮ ਪ ਨ ਸ | Sa Ga Ma Pa Ni Sa |
| Avroh: | ਸ ਨ ਧ ਪ ਧ ਮ ਪ ਗ ਮ ਰ ਸ | Sa Ni Dha Pa Dha Ma Pa Ga Ma Re Sa |
| Pakar: | ਪ ਧ ਨ ਧ ਪ ਮ ਪ ਮ ਗ, ਪ ਧ ਪ ਗ ਰ, ਗ ਰ ਸ | Pa Dha Ni Dha Pa Ma Pa Ma Ga, Pa Dha Pa Ga Re, Ga Re Sa |
| Vadi: | ਪ | Pa |
| Samvadi: | ਨ | Ni |
See also Raga, Kirtan, Sikh Kirtan, Taal
External links
- Gurmat Gian Group
- Gurmat Sangeet Project
- Gurmat Sangeet
- Gurmat Sangeet Darbar
- Raj Academy of Asian Music
- Sikhnet: Shabad for Printing
| Kirtan: | Raga · Taal · Ragmala · Classical Music · Sangeet · Dhuni · Divan · Asa di Var · Jatha · Simran · Shabad · Tuk · Rababi · Dhadhi |
| Ragas: | Asa · Bairari · Basant · Bhairon · Bihagara · Bilaval · Devagandhari · Dhanasari · Gauri · Gond · Gujari · Jaijavanti · Jaitsri · Kalian · Kanara · Kedara · Maajh · Malaar · Mali Gaura · Maru · Nat Narain · Prabhati · Ramkali · Sarang · Sri · Sorath · Suhi · Tilang · Todi · Tukhari · Vadahans |
| Ragis: | Harjinder Singh · Maninder Singh · Amolak Singh · Darshan Singh · Balwinder Singh · Harbans Singh · Anoop Singh · Niranjan Singh · Amrik Singh · Avtar Singh · Snatam Kaur ·Kamaljit Kaur · Dileep Kaur · Joginder Singh · SS Maskeen |
| Saaj: | Harmonium · Tabla · · Tanpura · Taus · Rabab · Sarangi · Dilruba · · Saranda · Sarode · Sitar · Santoor · Pakhawaj · Dhadh · Dholak · Dool |
